"My political views have never been something I’ve hidden from, and I know that a lot of us in this Country don’t agree on how we get back to a sense of normalcy where we go at least a day without a headline that keeps us up at night," he wrote on Twitter. Another possibility is the broad theme of the love of Jesus, perhaps in medley with other hymns on the same theme, such as in the extended choral medley “More Love to Thee” or the piano medley in “Prayludes for Summer.Aldean has publicly responded to the criticism of "Try That in a Small Town," denying allegations that it is "pro-lynching." The singer, who is recovering from heat exhaustion after running off stage mid-performance on July 15, is calling criticism of his song "meritless," and claims that it is about taking care of your neighbor, "regardless of differences of background or belief." Two Scripture passages that the hymn could be sung with are I John 4:19, which the refrain quotes, and Hebrews 4:15-16, at which the final stanza hints. This hymn is good for general use at any time of year as a devotional song. The whole tune has a gentle, almost dance-like quality and is easy to sing.
Though they blend well together, the stanza tune begins with an upbeat and has a steady long-short rhythm, while the refrain tune emphasizes the main beats of the measure. The tunes of the stanzas and the refrain may have originated separately. The origins of the tune O HOW I LOVE JESUS lie in the camp-meetings of nineteenth-century America. The stanzas' theme is the many pleasant associations and promises that the name of Jesus has for a devout Christian believer. A few hymnals omit the third of these (“It tells me what my Father has”). Of the nine original stanzas Whitfield wrote, only four are in common use today they are the first, second, fourth, and fifth. Its earliest known appearance in publication was during the 1860s. The refrain is anonymous, and was paired with many other hymns in the second half of the nineteenth century, including “Amazing Grace” by John Newton and “Alas! and Did My Savior Bleed” by Isaac Watts. It was first published in the United States no later than 1864. The text was first printed in hymn sheets and leaflets, and was published in 1861 by Whitfield in his Sacred Poems and Prose in London. The stanzas of this hymn were written in 1855 by Frederick Whitfield, an English clergyman.
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